Félix González-Torres' bed billboards – Beautifully confrontational – Public Delivery
Billboards aim to spark conversation
Day-dreaming of sleep | IMAGE OBJECT TEXT
Félix González-Torres' bed billboards – Beautifully confrontational – Public Delivery
1000 THINGS
MoMA | Print/Out: Felix Gonzalez-Torres
Félix González-Torres' bed billboards – Beautifully confrontational – Public Delivery
8 Famous Artists Who Turned Heartbreak into Art - Artsy
Rabih Alameddine on Twitter: "Felix Gonzalez-Torres, Untitled, 1991 After his lover died of AIDS, Felix Gonzalez-Torres produced a closely cropped black and white photograph of his own empty bed with two pillows,
Felix Gonzalez-Torres and the obsession with the number 2 - Art Reveal online contemporary art magazine
An Installation by Felix Gonzalez-Torres Honors Sweetness and Loss | The New Yorker
Felix Gonzalez-Torres, “Untitled” (billboard of an empty bed) – Smarthistory
Projects 34: Felix Gonzalez-Torres | MoMA
Félix González-Torres' bed billboards – Beautifully confrontational – Public Delivery
Dormir... | Marble pillow, Felix gonzalez torres, Pillows
Félix González-Torres' bed billboards – Beautifully confrontational – Public Delivery
Gonzalez-Torres Paintings, Bio, Ideas | TheArtStory
PILLOW TALK: THE BED AS A PALIMPSEST FOR THE PSYCHE - PIN–UP
Rabih Alameddine on Twitter: "Felix Gonzalez-Torres, Untitled, 1991 After his lover died of AIDS, Felix Gonzalez-Torres produced a closely cropped black and white photograph of his own empty bed with two pillows,
Félix González-Torres' bed billboards – Beautifully confrontational – Public Delivery
Felix Gonzalez-Torres, “Untitled” (billboard of an empty bed) – Smarthistory
MoMA | Print/Out: Felix Gonzalez-Torres
The Powerful Reticence of Felix Gonzalez-Torres | by Lewis Hyde | The New York Review of Books
Félix González-Torres' bed billboards – Beautifully confrontational – Public Delivery
where you are not: Felix Gonzalez-Torres
Felix Gonzalez-Torres, Public Privates, and Transactional Intimacy | by Quinn Monette | Queer Theory | Medium
MoMA | Print/Out: Felix Gonzalez-Torres
